For some, the word farmer conjures up stereotypical images of either an uneducated, old man in overalls or someone that oversees an industrial system of machinery and chemicals. Upending both perceptions, a new documentary reveals a youthful, intelligent and diverse movement embracing a sustainable agrarian way of life.
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A small Southern town of 35,000 may be an unlikely place to build one of the most significant museums of American art, but come November 11 that’s exactly what Bentonville, Arkansas will be able to boast.
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“Once upon a time…women rarely had to open doors and little old ladies never crossed the street alone. Men took charge because that’s what they did. But somewhere along the way…disco by disco, latte by foamy non-fat latte, men were stripped of their khaki’s and left stranded on the road between boyhood and androgyny. For the first time since bad guys, we need heroes. We need grown-ups. It’s time to get your hands dirty. It’s time to answer the call of manhood.”
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For decades, the subject of race, prejudice and the South has been widely covered in art, literature and theater, but rarely has it taken so surprising a turn as in All Blues, Robert Earl Price’s new play about a white journalist who in 1948 spent thirty days, undercover, as a black man.
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Launched in 2002, Atlanta-based Paste quickly became one of the most lauded entertainment magazines on the market. Which is why their loyal subscribers and fans were dismayed when the publication ended its print edition last year. Yet, the founders of Paste, Nick Purdy and Josh Jackson, have re-launched the magazine through their custom designed mPlayer.
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